Puppet Master Vs. Demonic Toys fan film

[MystereGuy]

Hey everyone. I'm new to the forums. I'm starting my own Puppet Master Vs. Demonic Toys film. So far I have concept drawings for the cover of the film, some of the characters, and I just started sculpting the Toys. So far I'm finished with Grizzly. All I need to do now is make the mold, pour the foam latex, and paint it up. It should be done by the end of this week. I'll be posting links to pics soon. If anyone wants to talk more about this, feel free to leave your ideas or comments here or you can e-mail me at: [e-mail]

[MystereGuy]

Here are the first few pages of the script. After you finish reading it, I'd really appreciate feedback on how it is. You can leave it here or e-mail me at: [e-mail]


Puppet Master
--------VS--------
Demonic Toys

Written By: Eric Nowak



FADE IN:

As the credits fade in and out, we see a guy sculpting. At first we can’t tell what it is because he is in the beginning stages. As we get further along in the credits, we can tell what the sculpture is. It looks like a clown, but not the every day goofy-looking clown. It looks…demonic. The credits end and we see a full view of the table the guy was at. It has a sculpture of a jack-in-the-box on it, along with a teddy bear, robot, baby doll, and a soldier toy. There is something odd about all of these toys though. They are all have a scary look to them.

FADE OUT:

FADE IN:

INT. APARTMENT – DAY

As we PAN around the apartment, we see a bunch of horror movie figures, posters, and movies. Jason is a big horror movie fan. A movie called Demonic Toys is on the TV screen. As we STOP at the computer, we see Jason using it. He is looking up internet sites on cults.

JASON
(To Himself)
Man! None of these d**n chants or spells work. I’ve tried every single one already.

Jason gets up out of his seat, frustrated. He walks over to the TV and plops down on the seat in front of it.

JASON
(To Himself)
If this movie is based on a true story…then there has to be a way to bring these toys to life. Is that too fucking much to ask?!

Jason, aggravated, jumps up out of the seat. He walks over to the table where the toys are.

JASON
(To Himself)
I’d sell my soul for these toys to live!

Out of nowhere, a very deep, intimidating voice speaks.

VOICE
(To Jason)
That can be arranged.

JASON
Who said that?!

VOICE
Forgive me. Allow me to introduce myself. My name is Bael. I’ve come to make your wish happen.

JASON
It…it was that simple? No hocus pocus or sacrificing chickens. Just…had to ask?

BAEL
Yes. Between you and me, these cultists are complete idiots. They make us look bad.

JASON
Well…you guys are bad.

BAEL
(Harsh Voice)
Listen fucker! Do you want your toys to live or not?!

JASON
Yes. Yes. Sorry.

BAEL
Now we’re getting somewhere. But, I don’t want your soul. I want…something else…a sacrifice.

JASON
Umm, what kind of sacrifice?



BAEL
I want a virgin sacrifice.

JASON
Sure. Anything you want.

BAEL
Your request shall be granted.

We CLOSE IN on the toys. One after another, the toys awake. Baby Oopsy notices Jason staring at them.

BABY OOPSY
(To Jason)
What the hell are you staring at b*tch?!

JASON
(To Baby Oopsy)
I…I

BABY OOPSY
(To Other Toys)
Kill the a******!

Before the toys have a chance to attack, Bael chimes in.

BAEL
(To Toys)
Stop!

BABY OOPSY
Why can’t we have some fun?

BAEL
He is your master.

BABY OOPSY
This sh*t head?!

BAEL
You follow his orders, all of you. If you don’t, I will throw you all in the fiery pits.

All the toys give a slight head bow.

BAEL
(To Jason)
Now, it’s time to keep your end of the bargain. Go and search for the sacrifice.

CUT TO:

EXT. TOULON HOUSE – DAY

We CLOSE IN on a house. The mailbox has a name on the side of it: Toulon.

INT. TOULON HOUSE – LORI’S ROOM – DAY

We see a CLOSE UP of Blade and Pinhead fighting each other. The battle rages on for a couple minutes. As we ZOOM OUT, we see that they are being controlled by two people. They are Lori and Edward Toulon…the great niece and nephew of Andre Toulon. For being 19 and 20, they look like little kids playing with a new toy. Edward puts down Blade and gets up off the floor.

EDWARD
(To Lori)
Hey, I forgot to show you what I made for them. I’ll be right back!

Edward runs off to his room. Lori smiles and looks down at Pinhead. After a moment she puts him in the puppet trunk. We ZOOM OUT on Pinhead to see that he is in the trunk with Six Shooter, Jester, Leech Woman, and Tunneler. She picks up Blade and sits him on top of the trunk. As she does this, Edward runs back into the room. In his hands are pieces of metal. It looks like weapons.

EDWARD
(To Lori)
Take a look.

LORI
What are they?

EDWARD
They are weapons for puppets. I think of them as…upgrades. The best part is that they actually work!

LORI
Why do you want to make our puppets look like tin cans?

EDWARD
They won’t look like tin cans. They will look cool this way.

LORI
We’ve only had these puppets for 2 days and you already made “cyber” weapons for them. Why don’t you put that Einstein brain of yours to good use?

Edwards laughs, but suddenly stops. They both turn and look at the window.

EDWARD
(Whispering)
Did you hear that?

LORI
Yeah. I did.

Lori slowly moves towards the window. She leans in to see what’s outside. All of a sudden, a guy jumps up. Lori screams and falls back. The guy stands up and laughs. Lori gets up and walks back over to the window with a stern look on her face. Edward tries not to laugh.

KURT
(To Lori)
Open the window.

LORI
Why should I?

KURT
Umm…I love you.

LORI
Ok.

Lori opens the window and Kurt climbs in. They kiss and sit down on the bed. Kurt shakes Edward’s hand. Edward brings up a seat and joins them. Kurt looks at the puppet trunk and picks Blade up.

KURT
(To Lori and Edward)
Where did you get these from? These guys are creepy.

LORI
We got them a couple days ago. They were sent to us by some guy named Rick Myers.

EDWARD
He wrote us a letter also. He said that these puppets belonged to Andre Toulon. He was our great uncle. When Rick was the caretaker at Bodega Bay Inn, he found the trunk.

LORI
So Rick went ahead and said that he wanted to return the trunk to the rightful owner. He also wrote to take care of these puppets…they are very special.

KURT
I’ll admit that your uncle did a good job making these guys, but I don’t see how they are special.

LORI
I don’t either

Lori turns her head to look at the trunk. We CLOSE IN on the puppets in the trunk.

FADE OUT:

[MystereGuy]

Here is more of the script. Enjoy.


CUT TO:

INT. APARTMENT – NIGHT

The toys are alone in the apartment. Jason went to find a sacrifice for Bael. The toys are stacked up on each other. Baby Oopsy is on top with a paint brush. They have been painting a pentagram on the wall while Jason is out.

BABY OOPSY
(To Bael)
I don’t see why we have to listen to this dipsh*t. You’re our master.

BAEL
I still am. Jason is clueless to my plan. He thinks I just want a virgin sacrifice for the hell of it. No, no.

BABY OOPSY
Same plan master?

BAEL
Yes. Once he brings me my sacrifice, all of you can have some fun with Jason.

BABY OOPSY
Yeah. Now we’re talking.

BAEL
Once he’s dead, I will take over his body and do the nasty with the girl. A few hours after that, I will finally be born in a human body.

We ZOOM OUT as the toys all let out evil laughs. Behind them we see the full pentagram. Suddenly they hear the apartment door unlock. Startled, the toys lose balance and fall to the floor. The door opens. Jason and a girl walk through. Grizzly is sitting on top of a struggling Soldier Toy trying to pull himself out. Baby Oopsy grabs Soldier Toy’s leg and pulls him from under Grizzly. As Jason and the girl move into the apartment more, the toys play dead.

GIRL
(To Jason)
Wow. Umm…this is a nice apartment.

JASON
Oh, don’t mind the pentagram. I’m not a cultist or anything. I’m just really big into horror movies.

GIRL
No not at all. I think it’s kinky.

The girl winks at Jason as she takes off her coat. She is wearing very *friendly* persontish, gothic clothing. She walks on over to the pentagram and messes around with the straps on the wall. She then notices the toys on the ground. She picks up Baby Oopsy and looks at him.

GIRL
These toys are creepy. For a baby doll he looks hideous.

BABY OOPSY
b*tch.

GIRL
What?!

JASON
Oh, he’s a…talking baby. He says a bunch of weird, crude things.

BABY OOPSY
Nice suckers wh**e.

JASON
How about you put the toy down and we can do something else.

The girl smiles and drops Baby Oopsy on his head. Jason walks over to the girl and they start to kiss. Jason takes her hands and straps them to the wall. He takes a step back and stares at her. He then turns around and starts to walk away.

JASON
(To Bael)
She’s all yours now.

BAEL
Yes, finally.

GIRL
(Scared Voice)
What the hell was that?!

BAEL
(To Girl)
Jason didn’t fill you in on the details? Well let me explain. You will be giving birth to a demon…me.

GIRL
This is some joke right?!

BABY OOPSY
b*tch! Does this look like a joke?!

The girl looks down and sees that the toys are alive. She lets out a scream. Before she can scream any more, Jason tapes her mouth shut. Jason doesn’t realize it, but Grizzly and Jack are sneaking up behind him…ready to attack. Before they can do anything though, Bael shouts out.

BAEL
(Angry Voice)
Wait!!!

JASON
What is it?

BAEL
(To Jason)
She is useless to me! Did I not ask for a virgin sacrifice?!

JASON
Well…she looked like a virgin to me.

BABY OOPSY
Ha!

BAEL
She is infected with disease. If I use her I will die.

JASON
What do you mean...you’ll die?

BAEL
Never mind! She is useless. Go and find me my sacrifice or I will make you suffer in ways you can’t imagine!

JASON
(Trembling Voice)
Yes Bael. I will find someone for you when I go to work. There are plenty of girls there. I’m sure I can find one for you.

BAEL
Good. Toys, time to play.

BABY OOPSY
It’s about time. Now, let me have a closer look at those suckers.

As the girl struggles to get free, Baby Oopsy climbs up the girl and rips open her top, revealing her breasts.

BABY OOPSY
Feed me.

Baby Oopsy shoves his face in her breasts. You can here a muffled scream come from the girl. The rest of the toys join in on the fun. Grizzly starts to rip into her right leg while Soldier Toy cuts into the other leg. Jack stretches his body so he can reach her neck. He lets out a laugh and bites into the neck. The girl cries in pain. Baby Oopsy lifts his head up. He has blood all over his mouth. He lets out an evil laugh and goes back to what he was doing.

CUT TO:

INT. TOULON HOUSE – LORI’S ROOM – NIGHT

Lori and Kurt are in Lori’s room. Edward is in his own room. Lori and Kurt are standing up by her window kissing. Kurt starts to slide his hand under her shirt, but Lori quickly pulls his hand back out.

LORI
(To Kurt)
I don’t think so buster.

KURT
I know. I thought I’d try again.

They both laugh and start to kiss again when there is a knock at the door. Fearing it’s her mother, Lori pushes Kurt away and into the puppet trunk. His foot hits the “stage” part hard. The wooden board loosens and falls down. Edward enters Lori’s room. Both Lori and Kurt let out a sigh of relief.

EDWARD
(To Lori)
Umm…is everything ok?

LORI
Yeah. I just thought you were mom.

EDWARD
No. They’re not home yet.

Edward smiles and looks down. He notices a hole in the puppet trunk where the board was. He moves over to it and bends down.

EDWARD
What’s this?

KURT
Lori shoved me and I accidentally hit it with my foot. I’ll fix it.

EDWARD
No. No. I mean…this.

Edward pulls out a small, rectangular case. Lori and Kurt both bend down to see what it is. Edward hands the case to Lori and he pulls out what looks to be a journal. Lori opens the case to find that there are small bottles of green fluid and a syringe. Lori hands the case to Kurt who examines it as well. Lori moves over by Edward.

LORI
(To Edward)
What is that?

EDWARD
It’s our great uncle’s journal. There’s a bunch of weird writing in it.

KURT
What the heck is this stuff for? Did your great uncle have a drug problem?

Kurt lets out a small laugh. Lori punches Kurt in the arm and gives him a smile. Edward flips through the pages and stops. He finds something important.

LORI
What did you find?

EDWARD
According to this, the fluid when injected into the puppets makes them…

LORI
Makes them…

We ZOOM IN on Edward as he looks up at Lori and Kurt.

EDWARD
Live.

[MystereGuy]

The next part of the script. Enjoy.


CUT TO:

INT. APARTMENT – NIGHT

We see the girl still strapped up to the wall. She is covered in blood. Bites and cuts are all over her body. The toys stand a few feet away from her, admiring their work.

JASON
(To the Toys)
I think you made her suffer enough! Just kill her.

BABY OOPSY
(To Jason)
Aw. Getting soft on us p***y?! What if we’re not done having our fun yet?

JASON
I am your master. You obey me!

BABY OOPSY
(Frustrated Voice)
Fine…kill the b*tch.

Mr. Static raises his arms at the girl. The girl tries to beg for her life, but Mr. Static fires his lasers at the girl…hitting her twice in the chest. She lets out one more cry of pain, and then her body falls lifeless. Jason shakes off his aggravation. He grabs his coat and starts heading for the door.

JASON
(To the Toys)
I’m going to work. While I’m gone, get rid of her.

Before Jason has a chance to leave, Bael speaks. Jason pauses and listens.

BAEL
(To Jason)
Remember. Find me my sacrifice or I’ll have your head!

JASON
Yes, Bael.

Jason opens the door and leaves.

CUT TO:

INT. TOULON HOUSE – LORI’S ROOM – NIGHT

CLOSE UP on Edward filling the syringe up with the formula. We then see the puppets laid out on Lori’s bed. Lori and Kurt stand around watching Edward. After filling the syringe, Edward flips through the journal pages.

EDWARD
(To Lori and Kurt)
According to these pages, each puppet has a specific place on them to inject the formula. There are drawings of each puppet in here too showing where that spot is.

KURT
Well hurry up. We don’t have all day. Lori and I both have work tonight.

EDWARD
Ok, ok.

Edward walks over to the puppets. He looks at the journal page and injects Six Shooter first. After him, Edward then proceeds with Blade, Jester, Pinhead, Tunneler, and finally Leech Woman. Edward gets up and stands back. After a moment, the puppets start to twitch. Lori, Edward, and Kurt are all shocked. After another moment, the puppets all sit up.

LORI
It actually worked!

EDWARD
This is amazing.

Lori taps Kurt on the shoulder. He doesn’t respond. Lori looks at him and taps him again. Kurt slowly looks at Lori and then faints. The puppets just look down at Kurt. Lori and Edward don’t bother helping up Kurt because they are too amazed at what’s happening.

EDWARD
(To the Puppets)
Don’t be scared. Allow me to introduce myself. I am Edward Toulon, great nephew of Andre Toulon. This is Lori Toulon, great niece of Andre Toulon…and this guy on the floor is Lori’s boyfriend Kurt.

The puppets all wave. Pinhead puts his hand out to shake. Lori goes and shakes his hand. He softly grabs it and bends his tiny head down…as if to kiss it. Lori smiles and looks at Kurt. Kurt finally gets up. He goes to shake Pinhead’s hand. Pinhead having a little bit of fun, puts a death grip on Kurt’s hand. Kurt cringes in pain, but gives a smile. Lori smiles and looks down at her watch.

LORI
(To Kurt)
Crap! We are going to be late for work. But I don’t want to go.

EDWARD
(To Lori)
You’d better go. You don’t show up again you’ll get fired.

LORI
I know, but I don’t want to leave them. This is so amazing.

EDWARD
Don’t worry. I’ll take good care of them until you get home.

KURT
Yeah. Come on Lori. This is great, but I can’t afford to get fired. Besides, we have the weekend off. You can spend as much time as you want with them.

LORI
Fine.

Lori and Kurt grab their jackets and start to leave.

LORI
(To the Puppets)
See you later guys.

They all wave. Leech Woman crosses her arms though.

LORI
…And girl.

Leech Woman waves to Lori. Kurt and Lori leave the room. Edward turns to the puppets.

EDWARD
So ladies and gentlemen, want to have some fun.

The puppets all shake their heads.

CUT TO:

EXT. ROAD – NIGHT

We see a car drive by. As we FOLLOW the car, we see that Edward is driving and a couple of the puppets are in the front seat and the rest are in the back.

CUT TO:

INT. CAR – NIGHT

EDWARD
(To the Puppets)
See. This is a car. It takes you to places you want to go. This is how you drive.

Pinhead points to himself. Edward looks at him weird. Pinhead points to himself again.

EDWARD
You…want to drive?

Pinhead shakes his head yes. Edward laughs.

EDWARD
I’m sorry, but I don’t think so.

CUT TO:

EXT. ROAD – NIGHT

We see Edward’s car drive by. This time the car is all over the road.

CUT TO:

INT. CAR – NIGHT

We see Edward in the passenger seat with a frightened look on his face. In the driver’s seat is Pinhead. He is sitting on top of some books. Jester and Blade are in charge of the gas and break. Edward forces a smile on his frightened face.

EDWARD
You’re doing…good.

CUT TO:

EXT. ROAD – NIGHT

Pinhead ends up cutting off another car. The driver of the car gets pissed off. He moves into the next lane and speeds up to the driver’s window.

CUT TO:

INT. CAR 2 – NIGHT

The driver looks over and yells.

DRIVER
Hey a******!

The driver then notices that the driver is a…wooden puppet. Pinhead looks over and gives him the finger. Edward forces another smile and gives a slight wave. The driver just looks straight at the road with a shocked expression on his face and speeds off.

[MystereGuy]

CUT TO:

EXT. DEPARTMENT STORE – NIGHT

We see Lori and Kurt get out of a car and start to walk towards the store. Lori stops Kurt before they go in.

LORI
(To Kurt)
Don’t mention anything about the puppets, ok Kurt?

KURT
Why not?

LORI
Well one reason is that I want to keep this a secret. Oh and another reason is that everyone will think we are psycho.

KURT
You bring up some good points.

Lori and Kurt both smile and walk into the store.

CUT TO:

INT. DEPARTMENT STORE – RECEIVING ROOM – NIGHT

Jason and Kurt are standing a few feet away from each other opening up boxes of merchandise. Kurt turns to Jason and starts to talk.

KURT
(To Jason)
So, what have you been up to lately?

JASON
Not much. How about you?

KURT
I’ve just been hanging out with my girlfriend.

INTERCOM VOICE
It’s twelve o’ clock. Break time!

KURT
So how’s the apartment working out for you? You only invited me there once and that was when you first moved in.

JASON
It’s…going well.

Before Jason could say anything else, Lori rushes through the receiving room doors.

LORI
(To Kurt)
Come on Kurt, it’s break time. You two can talk in the break room.

KURT
Yes dear.

Lori smiles and gives Kurt a passionate kiss. Kurt laughs and looks at Jason.

KURT
(To Jason)
Can you believe this girl? She’s such a tease but still a virgin.

LORI
Hey! That’s private info mister.

Lori and Kurt walk off to the break room. Jason stays back and focuses on Lori. When they are out of sight, Jason gives an evil smile.

JASON
(To Himself)
Bingo!

CUT TO:

EXT. DEPARTMENT STORE – MORNING

Everyone is leaving work. Jason makes sure he’s the first one out. He sits in his car and waits for Lori and Kurt to come out. After a moment, they walk out of the store and get into Kurt’s car. Kurt starts up the car and drives off. Jason follows.

CUT TO:

INT. JASON’S CAR – MORNING

Jason follows Kurt and Lori for about 10 minutes. Kurt slows down and pulls into a drive way. Jason parks the car close by and watches them go inside the house. Jason then gets out of the car and walks towards the house.

CUT TO:

INT. TOULON HOUSE – EDWARD’S ROOM – MORNING

Kurt and Lori walk into Edward’s room to find him sitting on his bed. The puppets are also keeping themselves busy. Six Shooter and Jester are playing Mortal Kombat while Blade and Leech Woman cheer them on. Pinhead and Tunneler are sitting on Edward’s desk flipping through a Playboy magazine. Lori shakes her head and smiles.

KURT
These puppets are awesome!

Kurt runs over to the puppets playing video games.

KURT
(To Six Shooter)
Let me play you.

Kurt grabs a controller and starts to play. Lori smiles and looks at Edward.

LORI
(To Edward)
So did you all have a good time while we were gone?

EDWARD
Well, besides almost getting killed by Pinhead’s bad driving skills…

They both look over at Pinhead. He looks up from the magazine and flips Edward the finger.

EDWARD
(To Pinhead)
That’s a bad habit Pinhead!

EDWARD
(To Lori)
I’d say we had a good time.

Kurt jumps up and yells.

KURT
Yeah! I won two games in a row. Ha, ha.

Six Shooter throws the controller at Kurt, hitting him in the face.

KURT
(To Six Shooter)
Ouch! Are you jealous because you…

Six Shooter pulls out his guns and points them at Kurt.

KURT
(To Six Shooter)
I mean…I’m jealous because you won. You are the best at this game.

CUT TO:

EXT. TOULON HOUSE – OUTSIDE OF EDWARD’S ROOM – MORNING

Jason sneaks over to Edward’s window and slowly looks in. He can’t believe it! They also have living dolls. Jason quickly moves away from the window so he won’t be seen. His plan is ruined. He can’t go in and kidnap Lori now. Kurt and Edward are there plus the puppets. Jason thinks of another plan then. He will come back with the toys later. That way the toys can keep the puppets busy while he kidnaps Lori. Jason takes off back to his car.

[MystereGuy]

CUT TO:

INT. APARTMENT – MORNING

Jason unlocks the door and walks in. Baby Oopsy looks up.

BABY OOPSY
(To the Toys)
Great, d**khead is home.

JASON
Shut up! Bael, I found you a sacrifice.

BAEL
So where is she?

JASON
There’s just one small problem.

BAEL
(Aggravated Voice)
What is it?!

JASON
She is protected by puppets.

BABY OOPSY
I’m so scared! Puppets are protecting the b*tch! I must hide!

JASON
These are living puppets sh*t head! I don’t know how they got them, but they are just like the toys.

BAEL
Yes. This is a problem, but a small one at that. The toys can take them out without any problems.

JASON
I don’t know. These puppets look like they can kick the toys’ asses.

BAEL
Do a surprise attack then. Sneak the toys into the house. Lure the puppets out. They won’t know the toys are there. When the puppets go after you, the toys will attack. The toys will keep them busy while you get the girl.

JASON
It sounds good to me.

BAEL
Do it at night though so you won’t be seen. We will hold the ritual at midnight.

BABY OOPSY
We’ll rip those puppets apart.

CUT TO:

INT. TOULON HOUSE – LORI’S ROOM – NIGHT

We see Lori in her bed with Kurt. He is sleeping. The puppets are also resting up in their trunk. Edward enters her room.

EDWARD
I’m running to the store. Do you want anything?

LORI
No thank you.

EDWARD
Alright, I’ll be back in a bit.

Edward leaves Lori’s room and heads out.

CUT TO:

EXT. TOULON HOUSE – NIGHT

We see Edward get into his car and drive off. Across the way Jason sits in his car with the toys.

JASON
(To the Toys)
Good. The brother left. That’s one less person to worry about.

BABY OOPSY
Good. Now lets get going.

Jason puts the toys in a carrying bag and gets out of the car. He looks all around to see if anyone is looking. Jason makes his way to the back of the house. He picks the lock on the back door and enters.

CUT TO:

INT. TOULON HOUSE – NIGHT

Jason quietly walks into the house and opens the bag. The toys all get out and go hide. Jason walks towards Lori’s room. As he gets there, he opens the door slowly. Lori notices and wakes up Kurt. Kurt jumps up out of the bed.

KURT
(Confused Voice)
Jason? What the hell are you doing here?! How’d you get in?!

Before Kurt could say anything more, Jason pulls out a knife and stabs Kurt in the stomach. Lori screams and jumps up out of the bed. The puppets also realize what’s going on and get out of their trunk. Lori runs to Kurt as he lays on the floor in pain. Jason takes notice of the puppets and starts to walk slowly backwards out of the room.

JASON
(To Himself)
Yeah, that’s right you fuckers. Come on and get me.

The puppets continue to follow Jason. Lori holds Kurt in her arms, crying.

LORI
(To Kurt)
Hold on Kurt! You’ll be ok.

Jason keeps moving back until he hits a wall. He is now trapped. The puppets take a few more steps forward and stop. Six Shooter grabs his guns and raises them at Jason. Without the puppets knowing, the toys sneak behind them.

[MystereGuy]

CUT TO:

INT. TOULON HOUSE – LORI’S ROOM – NIGHT

Lori looks up and notices the toys.

LORI
(To the Puppets)
Watch out!

CUT TO:

INT. TOULON HOUSE – HALLWAY – NIGHT

Before the puppets have any time to react, Mr. Static fires multiple shots at Six Shooter. Three of Six Shooter’s arms fall to the floor. When the puppets turn around to see what fired the shots, Jason takes his foot and in one motion…kicks all of the puppets. They all fly in separate directions. As the toys start to advance on the puppets, Jason runs towards Lori’s room. Without hesitating, Lori gets up and quickly slams the door shut and locks it. She then goes back to Kurt and tries to help him up. Jason throws himself at the door multiple times, but the door doesn’t break. Meanwhile, the puppets are recovering from what happened. As Leech Woman gets up, she notices Grizzly standing in front of her. She reaches on her side for her dagger, but Grizzly quickly swipes at her hand…cutting it off. He then grabs her in a bear hug and starts to crush her. She forces a leech from her mouth and drops it on Grizzly’s chest, but the Leech disintegrates. Reason for this is because the toys don’t have normal blood, they have demon blood. Tunneler gets up and sees that Leech Woman is in trouble. He starts up his drill and runs towards Grizzly. Grizzly looks behind himself and notices Tunneler coming towards him. As Tunneler gets closer…Grizzly quickly turns around and Tunneler ends up drilling into Leech Woman. She lets out a scream and falls lifeless. Grizzly drops Leech Woman and backhands Tunneler across the room.

CUT TO:

INT. TOULON HOUSE – LIVING ROOM – NIGHT

Six Shooter and Mr. Static are in a showdown. Six Shooter manages to shoot out one of Mr. Static’s eyes. Mr. Static returns fire and hits Six Shooter on the left side of his face. This blinds Six Shooter. He tries to fire back, but since he can’t see out of one eye, he is off with his shooting and ends up missing Mr. Static. Mr. Static fires again and shoots off the other three arms. Six Shooter falls to his knees. Mr. Static rolls over to Six Shooter and shoots him point blank in the chest, finishing the battle.

CUT TO:

INT. TOULON HOUSE – LORI’S ROOM – NIGHT

Meanwhile, Lori runs to her window and tries to escape, but Jason pushes her back in and climbs through the window. Before Lori can do anything, Jason punches her…knocking her out. He leans over her.

JASON
(To Lori)
Don’t worry darling. When midnight comes you won’t have anything to worry about anymore. Bael will have fun with you.

Jason walks over to Kurt and looks down at him.

JASON
(To Kurt)
I’m sorry friend. You were just in the wrong place at the wrong time. Don’t you worry though, I’ll take good care of Lori.

Before Kurt can speak, Jason stomps on the knife…pushing it deeper in him.

CUT TO:

INT. TOULON HOUSE – LIVING ROOM – NIGHT

Jester and Blade are fighting side by side against Soldier Toy and Jack. Blade slices at Soldier Toy’s head, but he jumps back and grabs Blade’s arm. Soldier Toy moves in close and punches Blade a couple times in his side. Soldier Toy pulls out his sword and is about to finish off Blade when Jester throws his spear, hitting Soldier Toy in the shoulder. Blade recovers and waves at Jester, thanking him for the assistance. At that moment, Jack stretches out his body and whips Jester into a wall. Jack then moves to Blade and grabs him by the arm. Blade dangles from Jack’s mouth as he tries to get a hit on Jack. Blade manages to stab Jack under the mouth, but it doesn’t seem to hurt him. Jester gets back up and runs over to help Blade. Jester grabs Blade’s other arm and tries to pull him from Jack’s mouth. Out of nowhere, a sword slashes down, cutting off Blade’s arm and sends Jester tumbling back. It was Soldier Toy. Soldier Toy grabs the spear and throws it at Jester. It hits him in the shoulder and sends him flying into a wall. The spear penetrates the wall and Jester is left dangling helplessly. Jack crushes Blade’s arm more and finally chews it off. Blade falls to the floor. Soldier Toy walks over to Blade and stands over him. Soldier Toy grabs the sword with both hands and stabs Blade in the chest, killing him. After he kills Blade, he and Jack move to Jester. Jester’s right arm is no good anymore since the spear penetrated it. Soldier Toy pulls out the spear. Jester tries to stand up. Soldier Toy takes the spear and impales Jester through the stomach area.

CUT TO:

INT. TOULON HOUSE – KITCHEN – NIGHT

Pinhead and Baby Oopsy have been going at it for a while now. They are both in a boxing match. Pinhead so far has been kicking the sh*t out of Baby Oopsy. He is bleeding from his nose and mouth. Pinhead beats on Baby Oopsy some more and uppercuts him into the kitchen sink. He is out of sight now. Pinhead slowly moves towards the sink.

BABY OOPSY
(To Pinhead)
You think you’re so tough! Well, I got a surprise for you!

At that moment, Baby Oopsy pops up and grabs Pinhead. Pinhead falls into the sink. Baby Oopsy jumps on Pinhead over and over again. While Pinhead is trying to recover, Baby Oopsy grabs his arm and stuffs it in the garbage disposal drain. Baby quickly jumps out of the sink and turns it on. We can hear Pinhead’s arm get mangled in the drain. Baby Oopsy lets out an evil laugh while Pinhead tries to get his arm out.

BABY OOPSY
Who’s your daddy now, b*tch?!

Baby Oopsy grabs a cutting knife and jumps down into the sink. Pinhead manages to grab the knife before it goes into his chest. The knife is so sharp though that it starts to cut into Pinhead’s hand. Pinhead gathers whatever strength he has left and knocks Baby Oopsy in the face with the knife handle. Baby Oopsy shakes it off and moves back to Pinhead. He takes the knife and starts slashing away. Pinhead tries to keep the knife away from himself, but his hand and arm get cut up badly. The knife finally cuts through Pinhead’s hand, cutting it off. Baby Oopsy goes in for the kill. Pinhead tries to block the knife with his arm, but the knife goes right through the arm and into his chest.

CUT TO:

INT. TOULON HOUSE – HALLWAY – NIGHT

Tunneler looks like sh*t. His cloths are all cut up and his face is clawed up. With one last attempt, he tries to drill into Grizzly. Grizzly goes to stop him. Tunneler quickly spins around Grizzly’s arm and drills into his side. Grizzly lets out a scream and grabs Tunneler by the head. He is helpless now. The rest of the toys gather in the hallway. Tunneler tries to break free, but there is no luck.

BABY OOPSY
Finish this prick.

Mr. Static rolls in front of the toys and fires at Tunneler multiple times. The firepower blows Tunneler in half. His bottom half hits the ground. Grizzly looks at Tunneler one last time and drops his top half to the ground. Baby Oopsy turns towards Lori’s room.

BABY OOPSY
(To Jason)
It’s ok to come out now p***y. They’re all finished.

Jason opens up the door and drags Lori out with him. He gets to the door and stops.

BABY OOPSY
We’re going to have a lot of fun with this b*tch.

JASON
Yeah, whatever. You guys stay here with her. I’ll bring the car up the driveway so that way we won’t be seen.

BABY OOPSY
You’re actually thinking for once sh*t for brains.

Jason leaves. The toys go and crawl back into the carrying bag.

CUT TO:

EXT. TOULON HOUSE – NIGHT

Jason pulls up the driveway. He gets out and runs to the door. He grabs Lori and shoves her in the car. He then grabs the bag with the toys and tosses it in the back seat. Jason runs back to the drivers side of the car, gets in, and takes off.

[Superheidi]

wow! Nice!

be careful to copyright your scripts before you sho them to others, though....

[AJ]

In most countries, your work is automatically copyrighted upon creation. You can register your screenplay with a variety of institutions, which may help if you are trying to bring a court case, but it depends on the circumstances.

In reality, putting the words COPYRIGHT OF BLAH BLAH on the front of your screenplay will actually mark you out as an amateur. It’s not necessary, as the copyright is implicit in the existence of the work. So for anyone thinking of submitting their screenplay to a producer or agent No copyright of, and no revision numbers either.

Most importantly, don’t forget that there is no copyright on ideas, only on the actual words and details of your screenplay.

Anyone can make a film about possessed toys that come to life and kill. Just the same as anyone can make a film about a serial killer, a plague of zombies, or a killer shark or a time travelling teen.

Or, of course, a time-travelling serial zombie-shark killing teen. ;D